The Idea of Villa Castagna
A garden is both a real place, and a cloud of possibilities. What you will find here will be both something real, and something that may or may not become real. For this reason you will find no map: Instead you will meet fragments, part real, part possible.
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Category Archives: Country Houses
Jemima Grey’s Chinoiserie Fabrique at Wrest Park. Part 4. The Chinese Bridges
There was also, it seems, a Chinese bridge that went with the ‘house’ or temple. I can’t seem to find any primary sources for this. This is long gone. There is today a Chinese bridge nearby made of brick and … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Construction, Country Houses, English Gardens, Fabriques, Garden History, Menu, Restoration and Conservation, Uncategorized
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Tagged bridges, Chinoiserie, eighteenth-century garden buildings, Fabriques, follies, jemima grey, wrest park
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Jemima Grey’s Chinoiserie Fabrique at Wrest Park. Part 3. Chinese Elements, Function, Typology and Sources
Chinese Elements There is not much Chinese about the fabrique. It has a dragon on the pinnacle, which was easy to miss in 2013 (Fig. 4), but must be much more conspicuous now that it has been gilded (Fig. 13). … Continue reading →
Jemima Grey’s Chinoiserie Fabrique at Wrest Park, Part 2. Form and Style
The Status of the Current Version The relationship between the Chinese fabrique she built and Wrest Park and the 20th century structures is not completely clear to me. Apparently the stone base is original,[1] but Conner writes that ‘the pavilion … Continue reading →
Jemima Grey’s Chinoiserie Fabrique at Wrest Park, Part 1. History
Wrest Park has an interesting Chinoiserie fabrique (Fig. 1) which is of interest because it has recently been restored (not for the first time) which allows us to come to grips with the structure. I examined it in June 2013 … Continue reading →
The Elusive Patronage of George Gordon, Lord Haddo: Giovanni Paolo Panini and Pompeo Batoni
A Panini with a Haddo provenance that comes up at Christie’s, New York, in May prompts some reflections on the elusive patronage of George Gordon, Lord Haddo, who died in 1791 in a fall from a horse. He is generally agreed to be the subject of a portrait by Pompeo Batoni at Haddo House, and it is assumed that he is the member of his family who acquired two Paninis, the one at Christie’s and another now in the Liechtenstein collection in Vienna. Continue reading →
