The Idea of Villa Castagna
A garden is both a real place, and a cloud of possibilities. What you will find here will be both something real, and something that may or may not become real. For this reason you will find no map: Instead you will meet fragments, part real, part possible.
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Garryea elliptica over the Clough Williams-Ellis seat.Evening light on bare-leafed chestnut trees.Luckily during the big storm we had the painter JMW Turner staying with us. At the storm’s height he went out, lashed himself to a tree, and painted this. He calls it ‘Storm Scene: Hannibal crossing Wombat Hill’.Evening light.Tulip tree and ignem ne gladio fodias fenceAutumn leaves. Rowan and silver birch.
Tag Archives: Clough Williams-Ellis
Portmeirion 2. Portmeirion and the Picturesque
The most useful way of approaching Portmeirion is through the concept of the picturesque. Williams-Ellis (or, as everyone calls him, Clough) explains how he liked sailing around the Mediterranean and enjoyed the view of coastal towns from the sea. He … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, English Gardens, Fabriques, Garden History, Town and Village, Uncategorized
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Tagged Art Deco architecture, Arts and Crafts, Baroque Gardens, Clough Williams-Ellis, Elizabethan architecture, Fabriques, Garden History, Portmeirion
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Portmeirion 1. Introduction
People don’t always get Portmeirion (Fig. 1). For example, it has been argued that it is a proto-Post-Modernist work, created by an architect trying to subvert the modernist norm long before Venturi and Scott-Brown came on the scene. But this … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, Baroque Gardens, Elizabethan Architecture, English Gardens, Fabriques, Garden History, Town and Village, Uncategorized
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Tagged Art Deco architecture, Arts and Crafts, Baroque Gardens, Clough Williams-Ellis, Elizabethan architecture, Fabriques, Garden History, Portmeirion
|
Leave a comment
