The Idea of Villa Castagna
A garden is both a real place, and a cloud of possibilities. What you will find here will be both something real, and something that may or may not become real. For this reason you will find no map: Instead you will meet fragments, part real, part possible.
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Sasanqua camellias are out on the terrace.Rowan berries at Montacute.Sunset over Vincent street. #montacutepavilionandgardens, #boutiqueaccommodation, #daylesford.getaways, #daylesford, #countrychic, #countryescape, #daylesfordmacedonranges, #daylesfordmacedonlife, #daylesfordweddings, #escapecompletely, #exclusiveretreat, #getaway, #GuestsLoveUs, #luxuryaccommodation, #luxurygetaways, #macedonranges, #mydaylesfordgetaway, #regionalvictoria, #countryvictoria, #romantic, #romanticgetaway, #roomwithaview, #spacountry, #spacountryvictoria, #travel, #viewretreats, #visithepburnshire, #visitvictoria, #wandervictoriaAutumn sunset down Central Springs road. #montacutepavilionandgardens, #boutiqueaccommodation, #daylesford.getaways, #daylesford, #countrychic, #countryescape, #daylesfordmacedonranges, #daylesfordmacedonlife, #daylesfordweddings, #escapecompletely, #exclusiveretreat, #getaway, #GuestsLoveUs, #luxuryaccommodation, #luxurygetaways, #macedonranges, #mydaylesfordgetaway, #regionalvictoria, #countryvictoria, #romantic, #romanticgetaway, #roomwithaview, #spacountry, #spacountryvictoria, #travel, #viewretreats, #visithepburnshire, #visitvictoria, #wandervictoria
Category Archives: Garden History
Fabriques in Paintings 1: Sebastian Vrancx. Part C. The Figures.
This series of posts (A-C) discusses depictions of small buildings that I feel inclined to appropriate to the category of fabriques. Images by the author unless otherwise stated. Sebastian Vrancx’s An Elegant Company Dining Outdoors, c. 1610–1620 in the Museum … Continue reading →
Fabriques in Paintings 1: Sebastian Vrancx. Part B. The Setting and Architecture
This series of posts (A-C) discusses depictions of small buildings that I feel inclined to appropriate to the category of fabriques. They work outwards from the fabrique to the image as a whole, as required. Images by the author unless … Continue reading →
Fabriques in Paintings 1: Sebastian Vrancx. Part A. The Trelliswork Fabrique on the Terrace
This series of posts (A-C) discusses depictions of small buildings that I feel inclined to appropriate to the category of fabriques. They work outwards from the fabrique to the image as a whole, as required. Images by the author unless … Continue reading →
Posted in All Posts, Architectural paintings, Architecture, Art, Baroque architecture, Baroque Gardens, Fabriques, Garden History, Uncategorized, Villas
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Tagged Vrancx
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Jemima Grey’s Chinoiserie Fabrique at Wrest Park. Part 4. The Chinese Bridges
There was also, it seems, a Chinese bridge that went with the ‘house’ or temple. I can’t seem to find any primary sources for this. This is long gone. There is today a Chinese bridge nearby made of brick and … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Construction, Country Houses, English Gardens, Fabriques, Garden History, Menu, Restoration and Conservation, Uncategorized
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Tagged bridges, Chinoiserie, eighteenth-century garden buildings, Fabriques, follies, jemima grey, wrest park
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Jemima Grey’s Chinoiserie Fabrique at Wrest Park. Part 3. Chinese Elements, Function, Typology and Sources
Chinese Elements There is not much Chinese about the fabrique. It has a dragon on the pinnacle, which was easy to miss in 2013 (Fig. 4), but must be much more conspicuous now that it has been gilded (Fig. 13). … Continue reading →
Jemima Grey’s Chinoiserie Fabrique at Wrest Park, Part 2. Form and Style
The Status of the Current Version The relationship between the Chinese fabrique she built and Wrest Park and the 20th century structures is not completely clear to me. Apparently the stone base is original,[1] but Conner writes that ‘the pavilion … Continue reading →
Jemima Grey’s Chinoiserie Fabrique at Wrest Park, Part 1. History
Wrest Park has an interesting Chinoiserie fabrique (Fig. 1) which is of interest because it has recently been restored (not for the first time) which allows us to come to grips with the structure. I examined it in June 2013 … Continue reading →
Chinoiserie Fabriques Part 2: William Kent
William Kent, Design for Chinoiserie garden temple, showing plan and detailed elevation with bamboo porch, c. 1730–1735. Pen and brown ink and brown wash on paper. London, Victoria and Albert Museum, E.384-1986. (Fig. 1) English Chinoiserie pavilions explored a … Continue reading →
The Gateway at Montacute Pavilion and the Palazzo del Te
Although the gateway arch was initially intended to have been based on Serlio’s Libro Estraordinario, as it has unfolded it has become the Mannerist Gateway. The inside façade is based on Michelangelo’s Porta Pia, the outside one on Giulio Romano’s … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Construction, Design, Garden History, Montacute, Uncategorized
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Tagged Giulio Romano, Mantua, Palazzo del Te, triglyph
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Pavilions, Fabriques, and the Reverential Copy
[This paper discusses a category of building that is related to, and sometimes overlaps with, the pavilion: the fabrique. The fabrique is not to be confused with the folly, although both are found in parks and gardens and the terms … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, Baroque architecture, Baroque Gardens, Daylesford, English Gardens, Fabriques, Garden History, Rome, Town and Village, Uncategorized, Villa Castagna, Villas, Wombat Hill Botanical Gardens
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Tagged Arts and Crafts, Australian Gardens, Bagatelle, Baroque Gardens, Bramante; pavilion, chateau de Groussay; Woerlitz, creative gardens, Daylesford, English Gardens, fabrique, Fabriques, folly, Garden History, Garden Sculpture, Wombat Hill Botanical Gardens
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