The Idea of Villa Castagna
A garden is both a real place, and a cloud of possibilities. What you will find here will be both something real, and something that may or may not become real. For this reason you will find no map: Instead you will meet fragments, part real, part possible.
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Category Archives: Villas
Views of the Colosseum from the North 2: Luigi Rossini’s View from the Palatine towards the Esquiline
[For Part 1, of which this is a continuation, see https://villacastagnadaylesford.com.au/2018/11/12/views-of-the-colosseum-from-the-north-1-luigi-rossinis-panorama/%5D A second print by Luigi Rossini is a view from the Palatine towards the Esquiline across the Colosseum, entitled Il Monte Esquilino (1827) (Figs 1, 2). Rossini shows the … Continue reading
This series of posts discusses the topography of eighteenth and nineteenth-century views of the Colosseum seem from the north. By looking at the sightlines of these views, plotted on Nolli’s 1748 map of Rome, the first comprehensive accurately surveyed map … Continue reading
[This paper discusses a category of building that is related to, and sometimes overlaps with, the pavilion: the fabrique. The fabrique is not to be confused with the folly, although both are found in parks and gardens and the terms … Continue reading
Schloss Trautsmannsdorf Meditations 2: Jean-François de Bastide’s La Petite Maison and Architectural Seduction
Following my exploration of the somewhat unsatisfactory Garden for Lovers at Schloss Trautsmannsdorf (https://villacastagnadaylesford.wordpress.com/2018/06/23/schloss-trautmannsdorf-and-the-problematic-of-gardens-for-lovers) it may be worth turning to eighteenth-century France for a very different approach to the erotic garden. The key text is Jean-François de Bastide’s La Petite … Continue reading
This fresco is ground upstairs in the Villa Farnesina, Rome. The Villa Farnesina was the villa of Agostino Chigi, the banker to Julius II and the richest man in Rome. His first wife had died childless and his mistress, … Continue reading
Sebastiano Serlio’s Libro Estraordinario (Lyons, 1551, also 1558 and 1560) contrasts thirty rustic gateways with twenty ‘delicate’ ones. In a well-known passage, Serlio describes how he came to conceive them: ‘… finding myself continually in this solitude of Fontainebleau, where … Continue reading