The Idea of Villa Castagna
A garden is both a real place, and a cloud of possibilities. What you will find here will be both something real, and something that may or may not become real. For this reason you will find no map: Instead you will meet fragments, part real, part possible.
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Luckily during the big storm we had the painter JMW Turner staying with us. At the storm’s height he went out, lashed himself to a tree, and painted this. He calls it ‘Storm Scene: Hannibal crossing Wombat Hill’.Evening light.Tulip tree and ignem ne gladio fodias fenceAutumn leaves. Rowan and silver birch.Autumn.Autumn at Montacute.
Category Archives: Villas
Fabriques in Paintings 1: Sebastian Vrancx. Part C. The Figures.
This series of posts (A-C) discusses depictions of small buildings that I feel inclined to appropriate to the category of fabriques. Images by the author unless otherwise stated. Sebastian Vrancx’s An Elegant Company Dining Outdoors, c. 1610–1620 in the Museum … Continue reading →
Fabriques in Paintings 1: Sebastian Vrancx. Part B. The Setting and Architecture
This series of posts (A-C) discusses depictions of small buildings that I feel inclined to appropriate to the category of fabriques. They work outwards from the fabrique to the image as a whole, as required. Images by the author unless … Continue reading →
Fabriques in Paintings 1: Sebastian Vrancx. Part A. The Trelliswork Fabrique on the Terrace
This series of posts (A-C) discusses depictions of small buildings that I feel inclined to appropriate to the category of fabriques. They work outwards from the fabrique to the image as a whole, as required. Images by the author unless … Continue reading →
Posted in All Posts, Architectural paintings, Architecture, Art, Baroque architecture, Baroque Gardens, Fabriques, Garden History, Uncategorized, Villas
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Tagged Vrancx
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Views of the Colosseum from the North 2: Luigi Rossini’s View from the Palatine towards the Esquiline
[For Part 1, of which this is a continuation, see https://villacastagnadaylesford.com.au/2018/11/12/views-of-the-colosseum-from-the-north-1-luigi-rossinis-panorama/%5D A second print by Luigi Rossini is a view from the Palatine towards the Esquiline across the Colosseum, entitled Il Monte Esquilino (1827) (Figs 1, 2). Rossini shows the … Continue reading →
Views of the Colosseum from the North 1: Luigi Rossini’s Panorama
This series of posts discusses the topography of eighteenth and nineteenth-century views of the Colosseum seem from the north. By looking at the sightlines of these views, plotted on Nolli’s 1748 map of Rome, the first comprehensive accurately surveyed map … Continue reading →
Posted in All Posts, Architectural paintings, Architecture, Art, Baroque architecture, Baroque Gardens, Catalogue of painting by G. P. Panini, Paintings by G. P. Panini, Rome, Uncategorized, Villas
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Tagged Gaspar van Wittel, Giovanni Paolo Panini, Luigi Rossini, Roman topography, Rome
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Pavilions, Fabriques, and the Reverential Copy
[This paper discusses a category of building that is related to, and sometimes overlaps with, the pavilion: the fabrique. The fabrique is not to be confused with the folly, although both are found in parks and gardens and the terms … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, Baroque architecture, Baroque Gardens, Daylesford, English Gardens, Fabriques, Garden History, Rome, Town and Village, Uncategorized, Villa Castagna, Villas, Wombat Hill Botanical Gardens
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Tagged Arts and Crafts, Australian Gardens, Bagatelle, Baroque Gardens, Bramante; pavilion, chateau de Groussay; Woerlitz, creative gardens, Daylesford, English Gardens, fabrique, Fabriques, folly, Garden History, Garden Sculpture, Wombat Hill Botanical Gardens
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Schloss Trautsmannsdorf Meditations 2: Jean-François de Bastide’s La Petite Maison and Architectural Seduction
Following my exploration of the somewhat unsatisfactory Garden for Lovers at Schloss Trautsmannsdorf (https://villacastagnadaylesford.wordpress.com/2018/06/23/schloss-trautmannsdorf-and-the-problematic-of-gardens-for-lovers) it may be worth turning to eighteenth-century France for a very different approach to the erotic garden. The key text is Jean-François de Bastide’s La Petite … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Fabriques, Garden History, Uncategorized, Villas
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Tagged Baroque Gardens, Bastide, Fabriques, Pavillon de la Boissière, rococo gardens, seduction
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The Bed in the Marriage of Alexander and Roxane in the Villa Farnesina (1517)
This fresco is ground upstairs in the Villa Farnesina, Rome. The Villa Farnesina was the villa of Agostino Chigi, the banker to Julius II and the richest man in Rome. His first wife had died childless and his mistress, … Continue reading →
On Garden Gateways: Part 1. Serlio’s Libro Estraordinario
Sebastiano Serlio’s Libro Estraordinario (Lyons, 1551, also 1558 and 1560) contrasts thirty rustic gateways with twenty ‘delicate’ ones. In a well-known passage, Serlio describes how he came to conceive them: ‘… finding myself continually in this solitude of Fontainebleau, where … Continue reading →
Posted in All Posts, Architecture, Art, Baroque Gardens, Design, English Gardens, Garden History, Uncategorized, Villas
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A Baroque Villa Garden in a Painting by Passeri
There is an interesting painting by G. B. Passeri in the window of Apolloni in Via del Babuino. It shows the ‘ottobrate’ (autumn festival) at a villa outside Rome, with a view of Rome in the distance. It shows two … Continue reading →
Posted in All Posts, Architecture, Art, Baroque Gardens, Garden History, Uncategorized, Villas
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