The Idea of Villa Castagna
A garden is both a real place, and a cloud of possibilities. What you will find here will be both something real, and something that may or may not become real. For this reason you will find no map: Instead you will meet fragments, part real, part possible.
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Garryea elliptica over the Clough Williams-Ellis seat.Evening light on bare-leafed chestnut trees.Luckily during the big storm we had the painter JMW Turner staying with us. At the storm’s height he went out, lashed himself to a tree, and painted this. He calls it ‘Storm Scene: Hannibal crossing Wombat Hill’.Evening light.Tulip tree and ignem ne gladio fodias fenceAutumn leaves. Rowan and silver birch.
Tag Archives: Fabriques
Jemima Grey’s Chinoiserie Fabrique at Wrest Park. Part 4. The Chinese Bridges
There was also, it seems, a Chinese bridge that went with the ‘house’ or temple. I can’t seem to find any primary sources for this. This is long gone. There is today a Chinese bridge nearby made of brick and … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Construction, Country Houses, English Gardens, Fabriques, Garden History, Menu, Restoration and Conservation, Uncategorized
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Tagged bridges, Chinoiserie, eighteenth-century garden buildings, Fabriques, follies, jemima grey, wrest park
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Jemima Grey’s Chinoiserie Fabrique at Wrest Park. Part 3. Chinese Elements, Function, Typology and Sources
Chinese Elements There is not much Chinese about the fabrique. It has a dragon on the pinnacle, which was easy to miss in 2013 (Fig. 4), but must be much more conspicuous now that it has been gilded (Fig. 13). … Continue reading →
Jemima Grey’s Chinoiserie Fabrique at Wrest Park, Part 1. History
Wrest Park has an interesting Chinoiserie fabrique (Fig. 1) which is of interest because it has recently been restored (not for the first time) which allows us to come to grips with the structure. I examined it in June 2013 … Continue reading →
Chinoiserie Fabriques Part 2: William Kent
William Kent, Design for Chinoiserie garden temple, showing plan and detailed elevation with bamboo porch, c. 1730–1735. Pen and brown ink and brown wash on paper. London, Victoria and Albert Museum, E.384-1986. (Fig. 1) English Chinoiserie pavilions explored a … Continue reading →
Pavilions, Fabriques, and the Reverential Copy
[This paper discusses a category of building that is related to, and sometimes overlaps with, the pavilion: the fabrique. The fabrique is not to be confused with the folly, although both are found in parks and gardens and the terms … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, Baroque architecture, Baroque Gardens, Daylesford, English Gardens, Fabriques, Garden History, Rome, Town and Village, Uncategorized, Villa Castagna, Villas, Wombat Hill Botanical Gardens
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Tagged Arts and Crafts, Australian Gardens, Bagatelle, Baroque Gardens, Bramante; pavilion, chateau de Groussay; Woerlitz, creative gardens, Daylesford, English Gardens, fabrique, Fabriques, folly, Garden History, Garden Sculpture, Wombat Hill Botanical Gardens
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Schloss Trautsmannsdorf Meditations 2: Jean-François de Bastide’s La Petite Maison and Architectural Seduction
Following my exploration of the somewhat unsatisfactory Garden for Lovers at Schloss Trautsmannsdorf (https://villacastagnadaylesford.wordpress.com/2018/06/23/schloss-trautmannsdorf-and-the-problematic-of-gardens-for-lovers) it may be worth turning to eighteenth-century France for a very different approach to the erotic garden. The key text is Jean-François de Bastide’s La Petite … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Fabriques, Garden History, Uncategorized, Villas
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Tagged Baroque Gardens, Bastide, Fabriques, Pavillon de la Boissière, rococo gardens, seduction
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Schloss Trautmannsdorf Meditations I: the Problematic of Gardens for Lovers
The garden at Schloss Trautmannsdorf is a kind of Eden Project, a new garden created from 1995 and opened in 2001 (Fig. 1). The castle, which has had a sorry history, contains the provincial tourism museum, or Touriseum, which is … Continue reading →
Posted in All Posts, Architecture, Art, Baroque Gardens, English Gardens, Fabriques, Garden History, Plants, Uncategorized
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Tagged Baroque Gardens, Chaumont, creative gardens, Fabriques, Garden History, Garden Sculpture, Trautsmandorff
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Portmeirion 2. Portmeirion and the Picturesque
The most useful way of approaching Portmeirion is through the concept of the picturesque. Williams-Ellis (or, as everyone calls him, Clough) explains how he liked sailing around the Mediterranean and enjoyed the view of coastal towns from the sea. He … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, English Gardens, Fabriques, Garden History, Town and Village, Uncategorized
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Tagged Art Deco architecture, Arts and Crafts, Baroque Gardens, Clough Williams-Ellis, Elizabethan architecture, Fabriques, Garden History, Portmeirion
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Portmeirion 1. Introduction
People don’t always get Portmeirion (Fig. 1). For example, it has been argued that it is a proto-Post-Modernist work, created by an architect trying to subvert the modernist norm long before Venturi and Scott-Brown came on the scene. But this … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, Baroque Gardens, Elizabethan Architecture, English Gardens, Fabriques, Garden History, Town and Village, Uncategorized
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Tagged Art Deco architecture, Arts and Crafts, Baroque Gardens, Clough Williams-Ellis, Elizabethan architecture, Fabriques, Garden History, Portmeirion
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Highgrove’s Berninian Fabrique
A new book on Highgrove arrived today, by Bunny Guinness. I was interested to see if one feature was illustrated there—the Oak Pavilion—as it does not appear in any other book and they don’t let you take photos. Indeed, it … Continue reading →
Posted in All Posts, Architecture, Art, Baroque Gardens, English Gardens, Fabriques, Town and Village
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Tagged Arundel Castle, Baroque Gardens, creative gardens, Fabriques, Highgrove, Poundbury, suburban design
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