The Idea of Villa Castagna
A garden is both a real place, and a cloud of possibilities. What you will find here will be both something real, and something that may or may not become real. For this reason you will find no map: Instead you will meet fragments, part real, part possible.
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Category Archives: Fabriques
Jemima Grey’s Chinoiserie Fabrique at Wrest Park. Part 3. Chinese Elements, Function, Typology and Sources
Chinese Elements There is not much Chinese about the fabrique. It has a dragon on the pinnacle, which was easy to miss in 2013 (Fig. 4), but must be much more conspicuous now that it has been gilded (Fig. 13). … Continue reading →
Jemima Grey’s Chinoiserie Fabrique at Wrest Park, Part 2. Form and Style
The Status of the Current Version The relationship between the Chinese fabrique she built and Wrest Park and the 20th century structures is not completely clear to me. Apparently the stone base is original,[1] but Conner writes that ‘the pavilion … Continue reading →
Jemima Grey’s Chinoiserie Fabrique at Wrest Park, Part 1. History
Wrest Park has an interesting Chinoiserie fabrique (Fig. 1) which is of interest because it has recently been restored (not for the first time) which allows us to come to grips with the structure. I examined it in June 2013 … Continue reading →
Chinoiserie Fabriques Part 2: William Kent
William Kent, Design for Chinoiserie garden temple, showing plan and detailed elevation with bamboo porch, c. 1730–1735. Pen and brown ink and brown wash on paper. London, Victoria and Albert Museum, E.384-1986. (Fig. 1) English Chinoiserie pavilions explored a … Continue reading →
Pavilions, Fabriques, and the Reverential Copy
[This paper discusses a category of building that is related to, and sometimes overlaps with, the pavilion: the fabrique. The fabrique is not to be confused with the folly, although both are found in parks and gardens and the terms … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, Baroque architecture, Baroque Gardens, Daylesford, English Gardens, Fabriques, Garden History, Rome, Town and Village, Uncategorized, Villa Castagna, Villas, Wombat Hill Botanical Gardens
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Tagged Arts and Crafts, Australian Gardens, Bagatelle, Baroque Gardens, Bramante; pavilion, chateau de Groussay; Woerlitz, creative gardens, Daylesford, English Gardens, fabrique, Fabriques, folly, Garden History, Garden Sculpture, Wombat Hill Botanical Gardens
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Schloss Trautsmannsdorf Meditations 2: Jean-François de Bastide’s La Petite Maison and Architectural Seduction
Following my exploration of the somewhat unsatisfactory Garden for Lovers at Schloss Trautsmannsdorf (https://villacastagnadaylesford.wordpress.com/2018/06/23/schloss-trautmannsdorf-and-the-problematic-of-gardens-for-lovers) it may be worth turning to eighteenth-century France for a very different approach to the erotic garden. The key text is Jean-François de Bastide’s La Petite … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Fabriques, Garden History, Uncategorized, Villas
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Tagged Baroque Gardens, Bastide, Fabriques, Pavillon de la Boissière, rococo gardens, seduction
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Schloss Trautmannsdorf Meditations I: the Problematic of Gardens for Lovers
The garden at Schloss Trautmannsdorf is a kind of Eden Project, a new garden created from 1995 and opened in 2001 (Fig. 1). The castle, which has had a sorry history, contains the provincial tourism museum, or Touriseum, which is … Continue reading →
Posted in All Posts, Architecture, Art, Baroque Gardens, English Gardens, Fabriques, Garden History, Plants, Uncategorized
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Tagged Baroque Gardens, Chaumont, creative gardens, Fabriques, Garden History, Garden Sculpture, Trautsmandorff
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Onion Domes and the Spire of the Dresden Hofkirche (1738-51), with asides on the Frauenkirche
Onion domes are seen here as being extravagantly exotic. They are certainly un-English and un-Australian. While ogee curves are common enough here in neo-Elizabethan buildings and Victorian bandstands, I cannot think of an example of an ‘onion’ dome. But first … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Design, Fabriques, Restoration and Conservation, Uncategorized
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Tagged Bolzano, Trento
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Portmeirion 3. How Serious is Portmeirion?
The trauma of the First World War seems to have manifested itself in the ‘silly ass’ artistic culture of the 1920s. Novelists like Margery Allingham, and even Dorothy L. Sayers, created their detective heroes as upper class twits who took … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, Baroque Gardens, Fabriques, Town and Village, Uncategorized
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Tagged Portmeirion
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Portmeirion 2. Portmeirion and the Picturesque
The most useful way of approaching Portmeirion is through the concept of the picturesque. Williams-Ellis (or, as everyone calls him, Clough) explains how he liked sailing around the Mediterranean and enjoyed the view of coastal towns from the sea. He … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, English Gardens, Fabriques, Garden History, Town and Village, Uncategorized
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Tagged Art Deco architecture, Arts and Crafts, Baroque Gardens, Clough Williams-Ellis, Elizabethan architecture, Fabriques, Garden History, Portmeirion
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Villa Castagna 