The Idea of Villa Castagna
A garden is both a real place, and a cloud of possibilities. What you will find here will be both something real, and something that may or may not become real. For this reason you will find no map: Instead you will meet fragments, part real, part possible.
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Category Archives: Baroque architecture
Views of the Colosseum from the North 4: Panini’s ex-Earl of Dunraven Rome, a View of the Colosseum and the Arch of Constantine, 1734
[For Part 1, of which this is a continuation, see https://villacastagnadaylesford.com.au/2018/11/12/views-of-the-colosseum-from-the-north-1-luigi-rossinis-panorama/ For Part 2, see https://villacastagnadaylesford.com.au/2018/11/16/views-of-the-colosseum-from-the-north-2-luigi-rossinis-view-from-the-palatine-towards-the-esquiline/ For Part 3, see https://villacastagnadaylesford.com.au/2018/11/17/views-of-the-colosseum-from-the-north-3-gaspar-van-wittels-view-of-the-colosseum-and-the-arch-of-constantine-c-1707/%5D The ex-Dunraven Panini is probably the earliest version of Panini’s Colosseum compositions, with a date that has been read … Continue reading →
Views of the Colosseum from the North 3: Gaspar van Wittel’s View of the Colosseum and the Arch of Constantine, c. 1707
[For Part 1, of which this is a continuation, see https://villacastagnadaylesford.com.au/2018/11/12/views-of-the-colosseum-from-the-north-1-luigi-rossinis-panorama/ For Part 2, see https://villacastagnadaylesford.com.au/2018/11/16/views-of-the-colosseum-from-the-north-2-luigi-rossinis-view-from-the-palatine-towards-the-esquiline/%5D Gaspar van Wittel was unusual, if not unique, in using a camera obscura set up on site. The gridded image on the camera obscura … Continue reading →
Views of the Colosseum from the North 2: Luigi Rossini’s View from the Palatine towards the Esquiline
[For Part 1, of which this is a continuation, see https://villacastagnadaylesford.com.au/2018/11/12/views-of-the-colosseum-from-the-north-1-luigi-rossinis-panorama/%5D A second print by Luigi Rossini is a view from the Palatine towards the Esquiline across the Colosseum, entitled Il Monte Esquilino (1827) (Figs 1, 2). Rossini shows the … Continue reading →
Views of the Colosseum from the North 1: Luigi Rossini’s Panorama
This series of posts discusses the topography of eighteenth and nineteenth-century views of the Colosseum seem from the north. By looking at the sightlines of these views, plotted on Nolli’s 1748 map of Rome, the first comprehensive accurately surveyed map … Continue reading →
Posted in All Posts, Architectural paintings, Architecture, Art, Baroque architecture, Baroque Gardens, Catalogue of painting by G. P. Panini, Paintings by G. P. Panini, Rome, Uncategorized, Villas
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Tagged Gaspar van Wittel, Giovanni Paolo Panini, Luigi Rossini, Roman topography, Rome
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On Organic Geometry
In Luke Syson and Dora Thornton’s Objects of Virtue there is a nice comparative illustration of a carved ivory knife handle after Francesco Salviati (Fig. 1)[1] and a print by Cherubino Alberti of two designs of knife handles by Salviati … Continue reading →
Posted in All Posts, Architectural paintings, Architecture, Art, Baroque architecture, Design, Rome, Uncategorized
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Tagged Francesco Salviati, Griffin, Renaissance art, sculpture
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Pavilions, Fabriques, and the Reverential Copy
[This paper discusses a category of building that is related to, and sometimes overlaps with, the pavilion: the fabrique. The fabrique is not to be confused with the folly, although both are found in parks and gardens and the terms … Continue reading →
Posted in All Posts, Architecture, Art, Arts and Crafts Movement, Baroque architecture, Baroque Gardens, Daylesford, English Gardens, Fabriques, Garden History, Rome, Town and Village, Uncategorized, Villa Castagna, Villas, Wombat Hill Botanical Gardens
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Tagged Arts and Crafts, Australian Gardens, Bagatelle, Baroque Gardens, Bramante; pavilion, chateau de Groussay; Woerlitz, creative gardens, Daylesford, English Gardens, fabrique, Fabriques, folly, Garden History, Garden Sculpture, Wombat Hill Botanical Gardens
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Schloss Trautsmannsdorf Meditations 2: Jean-François de Bastide’s La Petite Maison and Architectural Seduction
Following my exploration of the somewhat unsatisfactory Garden for Lovers at Schloss Trautsmannsdorf (https://villacastagnadaylesford.wordpress.com/2018/06/23/schloss-trautmannsdorf-and-the-problematic-of-gardens-for-lovers) it may be worth turning to eighteenth-century France for a very different approach to the erotic garden. The key text is Jean-François de Bastide’s La Petite … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Fabriques, Garden History, Uncategorized, Villas
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Tagged Baroque Gardens, Bastide, Fabriques, Pavillon de la Boissière, rococo gardens, seduction
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A Painting near Willem van Nieulandt II of the Colosseum and S. Croce in Gerusalemme
In the Museum at Montepulciano is a painting on panel with ruins, a church, and the Colosseum. It is catalogued as ‘Romanised Northern painter, Landscape with Roman ruins and figures. Mid-16th century. Oil on panel’ (Fig. 1).[1] It bears the … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Rome, Uncategorized
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Tagged Willem van Nieulandt II
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Onion Domes and the Spire of the Dresden Hofkirche (1738-51), with asides on the Frauenkirche
Onion domes are seen here as being extravagantly exotic. They are certainly un-English and un-Australian. While ogee curves are common enough here in neo-Elizabethan buildings and Victorian bandstands, I cannot think of an example of an ‘onion’ dome. But first … Continue reading →
Posted in All Posts, Architecture, Art, Baroque architecture, Baroque Gardens, Design, Fabriques, Restoration and Conservation, Uncategorized
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Tagged Bolzano, Trento
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Villa Castagna 